With nostalgia seeping through every lingering note, the song emanates feelings of home, but not without some insecurity, which creates the perfect amount of musical tension. While originally intended to for the Sgt.
The Story of Strawberry Fields Forever
The band and producer George Martin reportedly spent no less than 55 hours in the studio on this psychedelic tour de force. The result, it would seem, was well worth the effort. John came up with the concept while somewhat homesick. Save my name, email, and website in this browser for the next time I comment.
Most exciting was the idea that, freed from the rigours of touring, they no longer had to worry about having to play the new material live, so we literally could take the song in any direction. McCartney loved it.
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Ringo busied himself draping towels over his kit to achieve the song's distinctive muffled drum sound. There was just one hitch: "John had been listening to his acetate of 'Strawberry Fields' It needed to be "heavier". On Thursday 8 December, they reconvened and took it from the top. When they finally made it to the studio, it was midnight, and the session was in full swing. The band were on a roll and stayed until the early hours: Martin scored some trumpets and cellos, while Emerick experimented with backwards tapes to meet Lennon's demands for the song.
Over the coming days, the sessions became increasingly intense as the sounds of strings, horns and other, more exotic instruments such as Harrison's Indian svarmandal filled Studio Two. Eventually it was done. The final mix, stretched and pummelled out of all recognition from its acoustic beginning, was labelled "best".
The open-ended sessions soon took their toll on the recording team. But even with the revised version in the can, Lennon still wasn't satisfied. He had been listening to the early acetate again, and now preferred the original opening bars. Out of the corner of my eye, I could see George Martin blinking slowly. I could almost detect his blood pressure rising.
Martin patiently explained that it simply wasn't possible: they had been played in different keys, at different tempos and the arrangements were radically different. In , all Emerick had at his disposal was a pair of editing scissors, two tape machines, and a varispeed control to modify the pace of the recording.
Martin glanced at Emerick. They elected to give it a go.
Strawberry Fields Forever
As December drew to a close, the final master of the song was made. They worked late into the evening, as Emerick, Lennon and McCartney skilfully edited the tapes together. Such close collaboration, says Emerick, was unusual. For the most part, they stayed in the studio working on the music and we stayed up in the control room working on the sounds.
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The join was made exactly one minute in. By the new year, EMI was demanding a single. With only three songs completed, the Beatles' manager, Brian Epstein, made his selection. Astonishingly, it was kept from the No 1 spot by Engelbert Humperdinck's cabaret evergreen, "Release Me". When Sgt Pepper finally exploded into the Summer of Love four months later, "Strawberry Fields Forever" was not sequenced into its hallowed grooves - a decision Martin now says he regrets.
Strawberry Field(s) Forever
If the song had taken its place as intended, instead of, say, the Lennon throwaway "Good Morning, Good Morning", would we love the album more or less? It is now heard afresh on the new Beatles album, Love, in a spacey remix courtesy of Martin and his son Giles. Emerick is satisfied that they got it right first time around: "It wouldn't have been any better if it had been recorded on track, rather than four-track. You can find our Community Guidelines in full here.
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veronique-esthetique.fr/includes/1031.php Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. When he was a baby, his banjo-playing father Alf was rarely home and often away at sea as a merchant. Later, biographers would write that he had a hard time making friends. The history of Strawberry Field dates back to , when the property was owned by a wealthy English ship owner named George Warren.
In , another wealthy ship magnate named Alexander C. Mitchell purchased the mansion and property. On July 7, , the home was opened as a orphanage for up to forty girls. Lennon also often alluded to how Strawberry Field was representative of his childhood, on the outside foreboding but once he climbed over that wall, full of wildflowers and secretive gardens.
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